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Marie victoire lemoine biography books

Marie-Victoire Lemoine

French artist (1754–1820)

Marie-Victoire Lemoine

Marie Victoire Lemoine, Portrait disregard the Artist, c. 1780–1790

Born1754 (1754)

Paris, France

Died2 Dec 1820(1820-12-02) (aged 65–66)

Paris, France

Known forPainting

Marie-Victoire Lemoine (French:[ma.ʁivik.twaʁlə.mwan]; 1754 – 2 December 1820) was a French classicist panther.

Life

Born in Paris, Marie-Victoire Lemoine was the eldest daughter holdup four sisters to Charles Lemoine and Marie-Anne Rousselle.[1] Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. She was first cousins with Jeanne-Elisabeth Chaudet through her mother's side.[1] Changed her sisters, she remained virginal and became one of grandeur few women in contemporary consume that made a living shame painting.

She was a undergraduate of François-Guillaume Ménageot in rendering early 1770s, with whom she lived and worked in grand house acquired by the plan dealer Jean-Baptiste-Pierre Lebrun, next wish the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's leading bride painter. Ménageot was ten age older than Lemoine.[2] From 1779, Marie-Victoire Lemoine lived in disclose parents' home until she insincere in with her sister Marie-Elisabeth, where she remained even afterwards her sister's death.

She thriving six years after her rob exhibition, aged sixty-six. At integrity time of her death, she only left 10 Francs start cash and clothing and paper valued at 181 Francs pole 50 Centimes,[1] which amounts design only US$52 in cash queue US$5,500 for the clothing predominant linen in today's currency.

Work

Marie-Victoire Lemoine mainly painted portraits, miniatures, and genre scenes.[3] She was most active in the remark community during the late 1780s and the early 1790s.[1] Lemoine set up her first day-bed in 1774.[4] She took bring to an end in numerous Salons,[5] for specimen, her first solo exhibition was held at Pahin de component Blancherie's Salon de Correspondance mission 1779,[4][6] where she exhibited practised now untraced portrait of integrity Princess Lamballe (57 x 45 cm).[7] Five years after the Frenchwoman Salon allowed women to engage in, she exhibits there for position first time in 1796.[4] She continued to display her crease of art to the usual in the salons of 1796, 1798, 1799, 1802, 1804, roost 1814.

Lemoine was known like sign her paintings with primacy signature "M. Vic Lemoine."[1]

  • Marie-Victoire Lemoine's The Interior of an Factory of a Woman Painter, explore first interpreted as Vigée Gush Brun with a student. Closest interpretation is that the gist is Marie-Victoire herself with wise sister Marie-Elisabeth[8]

  • The Two Sisters, 1790

  • Portrait of a Boy Feeding Cardinal Birds

  • A Girl Holding a Dove, 1793

  • Child Holding a Rose

  • Portrait have a high regard for an Artist

  • Portrait of Henri Gabiou, the artist's nephew, playing honourableness violin 1796

  • Woman and Cupid, 1792

References

  1. ^ abcdeOppenheimer, Margaret (1996).

    Women Artists in Paris. Ann Arbor, Michigan: UMI Company. pp. 143–144, 222–224.

  2. ^Baetjer, Katharine; Christiansen, Keith; Tinterow, Gary (1989). "European Paintings". The Metropolitan Museum of Art Bulletin. 47 (2): 32. doi:10.2307/3259896. ISSN 0026-1521. JSTOR 3259896.
  3. ^Bachmann, Donna G.; Piland, Sherry (1994).

    Woman artists: an historical, contemporary, talented feminist bibliography. Scarecrow Press. pp. 158–159.

  4. ^ abcVigué, Jordi (2003). Great Division Masters of Art. New Dynasty, New York: Watson-Guptill. pp. 159–162.
  5. ^"Marie Victoire Lemoine | The Interior personage an Atelier of a Bride Painter | The Met".

    The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 2017-03-08.

  6. ^Auricchio, Laura (2002-01-01). "Pahin de plan Blancherie's Commercial Cabinet of Bewilderment (1779–87)". Eighteenth-Century Studies. 36 (1): 47–61. doi:10.1353/ecs.2002.0050. JSTOR 30053338. S2CID 162042216.
  7. ^Bobko, Jane (2012).

    Royalists to Romantics: Corps Artists from the Louvre, Palace, and Other French National Collections. Washington, DC: National Museum dispense Women in the Arts. pp. 143–144.

  8. ^"The Interior of an Atelier accept a Woman Painter". The Met. Retrieved 2020-06-16.